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29 Jun 2010

Dr. Seahorse - Symptons Of Trend

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Artist: Dr. Seahorse
Album: Symptons Of Trend
Year: 2009
Label: Mirth Records
Myspace: http://www.myspace.com/drseahorsemusic
Facebook: http://www.facebook.com/drseahorsemusic
Twitter: @drseahorsemusic
Buy: iTunes - Amazon
Sounds Like: Trevor Davis, Justim Timberlake, The Postal Service, Michael Jackson, Owl City, Suhonen Marcos
Rating: 5/5 ♥♥♥♥♥

Trevor Davis and Suhonen Marcos join together in an accidentally exquisite musical adventure. The duo began to dream of since June 2007 with an electronic project and fresh influences from the brazen sound of Michael Jackson, down to the babbling harmony of The Postal Service.

This bizarre fantasy designed to “Symptoms Of Trend” where Trevor away from self-conscious in a simple acoustic sound, operates with full vocal agility, while his teammate machines energetic rhythms and smooth sounds of percussion. From the first strings in “6th Day” that seem an homage to the classic “Singing In The Rain”, to the titletrack “Symptoms Of Trend” with a seductive melody reminiscent of Justin Timberlake. Even the sublime roars in “Invisible Lion” become a mix of emotions by declaring that a man should be as dependent as a child if he wants the strength to remain true. The finest moments come with “One With The Weeds” and “Reason Why”, each with a particular magic, brimming with amazing vocal and lyrical talent. The romantic “Made Me Whole” pours almost vanished passion between the Marcos’ sequences; as if this were not enough, “Help Me Out”  dopes with those electric pianos, and those chords lost in the silence of the night.

“Dreams can become prayers” and Dr. Seahorse is complemented by the mysteries of this winter cold.

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Trevor Davis y Suhonen Marcos se unen en una aventura musical accidentadamente exquisita. El dúo empezó a soñar desde junio del 2007 con un proyecto electrónico y fresco, influenciándose desde el desvergonzado sonido de Michael Jackson, hasta llegar a la balbuceante armonía de The Postal Service.

Esta extravagante fantasía concibió a “Symptoms Of Trend” dónde Trevor lejos de cohibirse en un mero sonido acústico, se desenvuelve con total agilidad vocal, mientras que su compañero maquina ritmos enérgicos y suaves sonidos de percusión. Desde los primeras cuerdas en “6th Day” que parecen un homenaje al clásico “Singing In The Rain” hasta el titletrack “Symptoms Of Trend” con una seductora melodía que recuerda a Justin Timberlake. Incluso los rugidos sublimes en “Invisible Lion” se convierten en una mezcla de emociones al declarar que un hombre debe ser tan dependiente como un niño si desea la fuerza para permanecer en la verdad. Los momentos más delicados llegan con “One With The Weeds” y “Reason Why”, ambas con una magia particular, rebosando talento vocal e increíbles líricas. La romántica “Made Me Whole” derrama pasión casi desvanecida entre las secuencias de Marcos, y como si fuera poco, “Help Me Out” nos dopa con aquellos pianos eléctricos y esos acordes perdidos en el silencio de la noche.

“Los sueños se pueden convertir en oraciones”, y Dr. Seahorse se complementa con los misterios de este frío de invierno.

5 Apr 2010

The Acclaim - The Time Is Now (EP)

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Artist: The Acclaim
Album: The Time Is Now - EP
Year: 2009
Label: AM Music
Website: http://www.theacclaimmusic.com/
Myspace: http://www.myspace.com/theacclaimband
Facebook: http://www.facebook.com/theacclaim
Twitter: @TheAcclaim
Buy: iTunes - Amazon
Sounds Like: Wilco, MuteMath, U2, Muse, My Morning Jacket, The Boxer Rebellion, Starfield, Edward Mote, Farewell Flight, Third Day, Angels & Airwaves
Rating: 4/5 ♥♥♥

“The Acclaim’s mission is to advance a movement of worship that embodies the cry of a generation whose lives have been set aside for the Kingdom of God among a depraved culture”. Formed by Michael Rabb (lead vocals, acoustic guitar, electric guitar), Luther Lessor (lead guitars), Drew Konzelman (electric guitar, mandolin, vocals), Andrew Hartung (strings, Theremin, fiddle), Aaron McMullen (drums, vocals) Derek Konzelman (bass, vocals) and David Konzelman (keyboards, vocals) are prepared for the release of their debut entitled “The Time Is Now – EP”. Michael Rabb wrote all the songs on the EP and this detail makes it even more interesting is the fact of listen them.

With features from MuteMath and Farewell Flight, the sweeping “Give It All” adds some synths on the road, giving all our lives to God. “Not Satisfied” reminds me to Angels & Airwaves, by those deep atmospheres where we can hear the desperate cry of the Church asking the Father for a new awakening: “We’re tired of standing here / We’re tired of holding on / We’re tired of holding still / Tired of singing empty songs”. This song also has a high national radio host. The acoustic guitars give way to “Anthem” with safe lyrics and guitar delays that resemble a young Third Day. Quickly, “Solid Rock” (originally by Edward Mote) shakes us with its creative and flexible chord progression. The impulsive “Urgency” arrays itself with passionate piano and melodies alerting the great need for God in our world today. Then, the track energy increases with the violins and drums to proclaim: “How long must we wait for you?”.

“The Time Is Now” is a positive first step to a successful career. While the songs lack the potential to compete with big bands like U2 or Starfield, this time The Acclaim has to mature over time. However, these 5 songs are a must in your music library; you may be able to surprise with the details in them.

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“La misión de The Acclaim es avanzar en un movimiento de adoración que encarne el clamor de una generación cuyas vidas han sido apartadas para el Reino de Dios entre un cultura depravada”. Conformado por Michael Rabb (vocalista, guitarra acústica, guitarra eléctrica), Luther Lessor (primer guitarra), Drew Konzelman (guitarra eléctrica, mandolina, voces), Andrew Hartung (strings, theremín, víolin), Aaron McMullen (batería, voces), Derek Konzelman (bajo, voces) y David Konzelman (teclados, voces) está preparados para el lanzamiento de su debut titulado “The Time Is Now – EP”. Michael Rabb escribió todas las canciones del EP y este detalle hace que sea aún más interesante el hecho de escucharlos.

Con rasgos de Farewell Flight y MuteMath, la arrasadora “Give It All” agrega algunos sintetizadores en el camino, entregándole todas nuestras vidas a Dios. “Not Satisfied” me hace recordar a Angels & Airwaves, por aquellas profundas atmósferas en dónde podemos oír el grito desesperado de la Iglesia al pedirle al Padre un nuevo despertar: “We’re tired of standing here / We’re tired of holding on / We’re tired of holding still / Tired of singing empty songs”. Esta canción además logro una buena acogida en radios nacionales. Las guitarras acústicas abren paso a “Anthem”, con letras seguras y delays de guitarras que se asemejan a una joven Third Day. Rápidamente, “Solid Rock” (original de Edward Mote) nos sacude con su creativa y ágil progresión de acordes. La impulsadora “Urgency” se atavía de pianos y apasionadas melodías que alertan la gran necesidad de Dios en nuestro mundo de hoy. Luego el track se incrementa de energía con los violines y tambores que proclaman: “How long we must wait for you?”.

“The Time Is Now” es un positivo primer paso para una fructífera carrera. Si bien las canciones carecen del potencial para competir con grandes bandas como Starfield o U2, esta vez The Acclaim tiene que madurar con el tiempo. Sin embargo, estas 5 canciones no pueden faltar en tu biblioteca musical; tal vez puedas sorprenderte con los detalles que hay en ellas.

5 Apr 2010

Nathan Morris - Just Me, Just You (EP)

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Artist: Nathan Morris
Album: Just Me, Just You - EP
Year: 2010
Label: Rytone Entertainment
Website: http://www.nathanmorris.net/
Myspace: http://www.myspace.com/nathanmorris
Facebook: http://www.facebook.com/nathanmorrismusic
Twitter: @nathanmorris
Buy: iTunes - Amazon - Official Store
Sounds Like: Nathan Walters, Secrets In Stereo, Lights, Owl City, Keane, Coldplay, Chris Brown, Ne-Yo
Rating: 4/5 ♥♥♥

Nathan Morris takes his personal experiences to produce genuine lyrics that are relevant to the listeners from various walks of life. Nominated as an independent artist of the year, and having sounded infinitely in the Starbucks internationally between 2008 and 2009 with his song “Closure”, while “Closer Like Me” was playing on some American Airlines flights. Last year was the beginning of a new era for Nathan Morris. Powered by acclaimed Grammy nominated, Dove Award winning and producer Ryan Farish, this year give us an advance of a renewed and fresh sound with “Just Me, Just You - EP”.

The titletrack “Just Me, Just You” quickly convinces us of the musical evolution of Morris. Ryan Farish added style and complemented the sexy voice of Nathan making a song with features of electro pop and R&B that is easily compared to well-known Ne-Yo. The lyrics talks about a boy regretted of his words, the mistakes he made in his relationship, and that all he wants is keep love away: “You got my heart in your pocket / don’t drop it”. I love the synths in the chorus and the vocal versatility of this track. The abstract “It’s Criminal”, guilty accused that girl who has stolen the heart and passion of our lives. Finally, “Lost Without You” is inclined to Chris Brown, with lovely lyrics and melody. No matter where we go, the faces we see, we are convinced that without this love we are lost.

Although, before Nathan Morris could be compared musically with Coldplay or Keane, the metamorphosis of his sound is positive. Now we could say that Nathan Walters, Owl City and Lights are his biggest influences, and his compositions include large-scale improved.

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Nathan Morris toma sus experiencias personales para producir letras genuinas que son relevantes para los oyentes de diversas profesiones y condiciones sociales. Nominado como artista independiente del año, y habiendo sonado infinitamente en los Starbucks a nivel internación entre el 2008 y 2009 con su tema “Closure”, mientras que “Closer Like Me” sonaba en los vuelos de American Airlines. El año pasado fue el inicio de una nueva era para Nathan Morris. Impulsado por el aclamado nominado al Grammy, ganador de los premios Dove y productor Ryan Farish, este año nos presentan un adelanto de un renovado y fresco sonido con “Just Me, Just You - EP”.

El titletrack “Just Me, Just You” rápidamente nos convence de la evolución musical de Morris. Ryan Farish ha agregado su estilo y ha complementado la atractiva voz de Nathan logrando una canción pop con rasgos de electro y R&B que fácilmente se comparan al experimentado Ne-Yo. La letra habla sobre un muchacho arrepentido de las palabras, los errores que cometió en su relación, y que lo único que anhela es impedir que el amor desaparezca: “You got my heart in your pocket / don’t drop it”. Me encantan los sintetizadores en el coro y la versatilidad vocal de este track. La abstracta “It’s Criminal” acusa de culpable a aquella chica que ha robado el corazón y la pasión de nuestras vidas. Por último, “Lost Without You” se inclina por Chris Brown, con una encantadora letra y melodía. No importa donde vayamos, los rostros que veamos, estamos convencidos que sin ese amor estamos perdidos.

Si bien, antes Nathan Morris podía ser comparado musicalmente con Coldplay o Keane, la metamorfosis de su sonido es positiva. Ahora podríamos decir que Nathan Walters, Owl City y Lights son sus mayores influencias, y cabe mencionar que sus composiciones han mejorado en gran escala.

26 Mar 2010

Galactus Jack - Reality Bytes (EP)

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Artist: Galactus Jack
Album: Reality Bytes - EP
Year: 2009
Label: TVCM Music
Myspace: http://www.myspace.com/galactusjack
Twitter: @GalactusJack
Buy: iTunes - Amazon - Official Store
Sounds Like: Simon Dayman, Aorta, Shell Perris, MC Ad-Apt, thebandwithnoname, Lindsey, Fat Boy Slim, The Prodigy, Andy Hunter, Linkin Park, Justice
Rating: 4/5 ♥♥♥♥♥

The UK is accustomed to make us known artists with great particularity and talent. Ben Jack is a famous British DJ that with his friend Simon Dayman formed a house band called Aorta in 2002. After 18 months of hard work on composition and an exhaustive recording period, Galactus Jack throws us his debut “Reality Bytes – EP” which includes the contribution of artists such as Shell Perris, MC Ad-Apt (thebandwithnoname) and Lindsey.

The instrumental prelude on “[Reality] Test” dives with pianos and synthesizers that quickly give way to “Headspace” (first single) with the pop revelation Shell Perris. Strong influences of The Prodigy and powerful guitars in the background. The bohemian and bewitching “Hollywood” has multiple features of Fat Boy Slim, distorted vocals and a rhythm that hooks you with every beat, with the chaotic guitars, sweeping synths and raucous sequences. The following instrumental “[Reality] Fact-Fiction” explodes with a catchy tune, which fades to give birth to the versatile “Temporary” with MC Ad-Apt rapping and driving melodies through Jack sings a bright and catchy chorus telling us that the life in this world is temporary (1 Corinthians 7:31). The new radio hit “Control” has captured the entire UK, with the participation of a seductive female voice whose I still don’t know, but I guess it’s Lindsey. Without doubt the best instrumental is “[Reality] Check” which provides a sublime conclusion to the EP, with a degenerate synths riff and stuttering melody lines.

Galactus Jack could be defined as the mix between electro grunge, rock and Linkin Park on a funky/dance jamming, spanning various genres and influences from a wide range of electronic details. With a style that stands out in the world of Christianity and artistic credibility, Galactus Jack is a welcome addition to the gospel world, and anyone who dares to venture into the world of “Reality Bytes – EP” will find it worthwhile and it will leave you with a longing to hear more and more.

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El Reino Unido nos está acostumbrando a dar a conocer artistas con mucha peculiaridad y talento. Ben Jack es un famoso DJ británico que junto a su amigo Simon Dayman formaron una banda de house llamada Aorta en el 2002. Luego de 18 meses de arduo trabajo de composición y un período exhaustivo de grabación, Galactus Jack nos lanza su debut “Reality Bytes - EP” que incluye la contribución de artistas como Shell Perris, MC Ad-Apt (thebandwithnoname) y Lindsey.

El preludio instrumental en “[Reality] Test” se sumerge con pianos y sintetizadores que rápidamente abren paso a “Headspace” (primer sencillo) que cuenta con la revelación pop Shell Perris. Fuertes influencias de The Prodigy y potentes guitarras de fondo. La bohemia y hechizante “Hollywood” tiene múltiples rasgos de Fat Boy Slim, voces distorsionadas y un ritmo que te engancha con cada compás, con las caóticas guitarras, los arrasadores synths y las estridentes secuencias. El siguientes instrumental “[Reality] Fact-Fiction” explota con una melodía pegajosa que se desvanece para dar a luz a la versátil “Temporary”, con MC Ad-Apt rapeando y conduciendo las melodías hasta que Jack nos canta un brillante y pegajoso coro que nos dice que la vida en este mundo es temporal (1 Corintios 7:31). El nuevo éxito de radio “Control” ha capturado a todo el Reino Unido, con la participación de una seductora voz femenina que aún no descubro quién es, pero supongo que es Lindsey. Sin duda el mejor instrumental es “[Reality] Check” que brinda una excelsa conclusión al EP, con un degenerado riff de sintetizadores y balbuceantes líneas melódicas.

Galactus Jack podría ser definido como la mezcla entre electro grunge, rock y Linkin Park en un funky/dance jamming, abarcando diversas influencias de géneros y un rango amplio de detalles electrónicos. Con un estilo que se destaca en el mundo del cristianismo y de la credibilidad artística, Galactus Jack es una bienvenida adición al mundo góspel, y cualquiera que se atreva a aventurarse en el mundo de “Reality Bytes – EP” encontrará que valió la pena y te dejará con un anhelo por oír más y más.

23 Mar 2010

Method Echo - Method Echo (EP)

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Artist: Method Echo
Album: Method Echo - EP
Year: 2008
Label: Method Echo
Website: http://methodecho.com/
Myspace: http://www.myspace.com/methodecho
Twitter: @methodecho
Buy: iTunes - Amazon - Official Store
Sounds Like: Michael Jackson, Justin Timberlake, Robin Thicke, Ne-Yo, Maroon 5, Family Force 5
Rating: 2/5 ♥♥

The mixture of pop and rock, with a pulsating soul rooted in contemporary gospel, gives us the quintet called Method Echo. Proud to mix musical chemistry and friendship formed over eight years, we have their self-titled debut “Method Echo – EP”. Josh Guerrero (vocals/guitar), Tyler Hagan (lead guitar), David Moore (drums), Daniel Herrera (keyboards) and Chris Moore (bass) are influenced by Michael Jackson, Justin Timberlake, Robin Thicke, Ne-Yo and Maroon 5. The mission of the band is simple but strong: “Always strive to be better than you were the day before”.

“Electrified” turns the spotlight with a unique introduction from synthesized violins, guitars and some leads. Guerrero’s voice resounds with the atmosphere of a funny dancing night, while David Moore seasons the song with powerful drums and cymbals. The seductive “Catch My Breath” talks about the suffocation caused by the approach to that person, leaving us to wordless. Tyler Hagan adds captivating riffs to “Burn Me Up” burning with synthesizers by Daniel Herrera, and the magical poetry that expresses a burning love. The galactic dark “Cold Shoulder” talks about frozen feelings, worn loves, off passions. On the other hand, “Flashback” flirt us with relaxing guitars and sequenced drums trapped by synthesizers and effects that seem taken from an Atari’s video gam. Then the song is featuring a devastating guitar solo that blows your speakers. “Broke Me Into Pieces” rushes between the keyboards, rhodes and Chris Moore taps, with a chorus that reminds me to Maroon 5. Finally, “Crown” concludes this sublime EP with exciting guitar riffs and the gentle melody that is quickly inserted into your heart.

Perhaps the Echo Method’s sound is somewhat difficult to digest, but the freshness of each instrument makes you fall in love with each of their songs. Awakening emotions, making set the pace with your feet, experiencing something unique. Method Echo stands on stage with 3 goals: make you dance, make you smile and always leaving you with a need to hear one more song.

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La mezcla de pop y rock, con un palpitante soul arraigado con góspel contemporáneo, nos da como resultado el quinteto llamado Method Echo. Orgullosos de mezclar la química musical y de amistad formada hace más de ocho años, nos presentan su debut autotitulado “Method Echo – EP”. Josh Guerrero (vocalista/guitarra), Tyler Hagan (primera guitarra), David Moore (batería), Daniel Herrera (teclados) y Chris Moore (bajo) se influencian de Michael Jackson, Justin Timberlake, Robin Thicke, Ne-Yo y Maroon 5. La misión de la banda es simple, pero sólida: “Siempre nos esforzarnos por ser mejores que ayer”.

“Electrified” enciende los reflectores con una peculiar introducción basada en violines sintetizados, guitarras y algunos leads. La voz de Guerrero retumba con la atmósfera de una noche de baile y diversión, mientras que David Moore sazona la canción con potentes tambores y platillos. La seductora “Catch My Breath” nos habla sobre la sofocación que provoca el acercarnos a esa persona, tenerla al lado dejándonos sin palabras. Tyler Hagan añade cautivantes riffs a “Burn Me Up” ardiendo con los sintetizadores a cargo de Daniel Herrera, y la mágica lírica que expresa un amor encendido. La galáctica y sombría “Cold Shoulder” habla sobre sentimientos congelados, amores desgatados, pasiones apagadas. Por otro lado “Flashback” nos coquetea con sus relajantes guitarras y la secuenciada batería atrapada por sintetizadores y efectos que parecen sacados de un videojuego de Atari. Luego la canción es protagonizada por un arrasador solo de guitarra que hace explotar tus parlantes. “Broke Me Into Pieces” se apresura entre los teclados, rhodes y los punteos de Chris Moore con un estribillo que me recuerda a Maroon 5. Finalmente “Crown”, concluye este excitante EP con sublimes punteos de guitarra y la apacible melodía que se introduce rápidamente a tu corazón.

Tal vez el sonido de Method Echo sea algo difícil de digerir, pero la frescura de cada instrumento te hacen enamorarte de cada una de sus canciones. Despertando emociones, haciendo que marques el ritmo con tus pies experimentando algo único. Method Echo se para en el escenario con 3 metas: hacerte bailar, sonreír y siempre dejándote con el anhelo de oír otra canción.

12 Mar 2010

Nick J Drake - All For Christ

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Artist: Nick J Drake
Album: All For Christ
Year: 2010
Label: Survivor Records/Kingsway
Website: http://www.nickjdrake.com/
Twitter: @nickjdrake
Buy: Kingsway (Pre-Order) - Cross Rhythms
Sounds Like: Delirious?, Ben Cantelon, Kevin Prosch, Stoneleigh, Coldplay, Keane, Jamie Cullum, Athlete, Simon Brading, The Kry
Rating: 3/5 ♥♥♥

Survivor Records has introduced a new member in his family. This is Nick J Drake, a pastor and an extravagant worshiper. His new album is titled “All For Christ”, produced by Matt and Dan Weeks, which shows the talent that Nick has to attract people, creating a space that allows you to enter into communion with God. Influences of Delirious?, Kevin Prosch and Stoneleigh.

The album opens with the titletrack “All For Christ” and the call for total devotion to Christ: “All for Jesus / All that I have is now all for Christ”. The song was co-written with Nick Herbert, and has features of jazz piano and Jamie Cullum. The pianos and melodies in “His Name Shall Be Honored” sounds like Keane or Simon Brading, with an inspirational lyric that encourages us to confess Jesus name worldwide, through a bold voice to a chorus that proclaims the congregation: “That you are King / And you reign forever / The whole world is yours”. Inspired by Psalm 51, “Have Mercy On Me” becomes very personal, comparing our lives as a jar of clay in the hands of God, waiting to be molded, restored. The splendid and wonderful, “Spirit Of God” becomes an intimate melody with piano, touches of jazz and sweet statement of the fullness of being in the presence of God. It reminds me of Coldplay and The Kry, blending melancholy and sublime. “Your Voice” continues with the atmosphere of worship, confessing that we’d be lost without hearing the voice of God, ‘cause he gives us the direction to dream. “Worthy” was written with Becky (Nick’s wife) and Ben Cantelon, growing in a flow of truths about who Jesus is. The music perfectly matches the spirit of the song, pianos, harmonies and guitars. The epic “You Shall Be Praised” sounds like Athlete, with an atmosphere that leaves you breathless, reminding us that we should praise God even in the midst of pain. The renovated and adapted version of “Come Thou Fount” is amazing. Anglican roots, and a hunger and desire for spiritual things.

This brief but comfortable tracklist, immersed us in a brilliant introduction of a clearly emerging talent called Nick J Drake. “All For Christ” is a profound experience and a brilliant match between organs, pianos, drums, trumpets, violins and simplicity of extravagant worship.

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Survivor Records ha introducido a un nuevo miembro en su familia. Se trata de Nick J Drake, un adorador extravagante y un pastor. Su nuevo álbum se titula “All For Christ”, producido por Matt y Dan Weeks, que nos muestra el talento que Nick posee al atraer gente, creando un espacio que te permite entrar en comunión con Dios. Influencias de Delirious?, Kevin Prosch y Stoneleigh.

El álbum se apertura con el titletrack “All For Christ”, y el llamado a la total devoción a Cristo: “All for Jesus / All that I have is now all for Christ”. La canción fue co-escrita con Nick Herbert, y posee rasgos de piano jazz y Jamie Cullum. Los pianos y melodías en “His Name Shall Be Honoured” se asemejan a Keane o Simon Brading, con una inspiradora lírica que nos anima a confesar el nombre de Jesús en todo el mundo, a través de un atrevido coro que a una voz proclama la congregación: “That you are King / And you reign forever / The whole world is yours”. Inspirada en el Salmo 51, “Have Mercy On Me” se torna muy personal, comparando nuestras vidas como una vasija de barro en las manos de Dios, esperando ser moldeados, restaurados. La espléndida y maravillosa, “Spirit Of God” se convierte en una íntima melodía, con pianos, pinceladas de jazz y la dulce declaración de la plenitud de estar en la presencia de Dios. Me recuerda a Coldplay y The Kry, en una fusión melancólica y sublime. “Your Voice” continúa con esa atmósfera de adoración, confesando que estaríamos perdidos sin oír la voz de Dios, el nos da la dirección para soñar. “Worthy” fue escrita junto a Becky (esposa de Nick) y Ben Cantelon, creciendo en un flujo de verdades acerca de quién es Jesús. La música se adapta perfectamente al espíritu de la canción, los pianos, las armonías y las guitarras. La épica “You Shall Be Praised” suena como Athlete, con un ambiente que te deja sin respirar, recordándonos que tenemos que alabar a Dios aún en medio del dolor. La versión renovada y adaptada de “Come Thou Fount” es arrasadora. Con raíces anglicanas, y un hambre y deseo por las cosas del espíritu.

Esta breve pero confortable lista de canciones, nos sumergen en una brillante introducción al talento claramente emergente de Nick J Drake. “All For Christ” es una profunda experiencia y un brillante encuentro entre órganos, pianos, tambores, trompetas, violines y la simpleza de la adoración extravagante.

10 Mar 2010

Rhett Canipe - EP

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Artist: Rhett Canipe
Album: EP
Year: 2009
Label: Rhett Canipe
Website: http://www.rhettcanipe.com/
Myspace: http://www.myspace.com/rhettcanipeband
Twitter: @rhettcanipe
Buy: iTunes - Store
Sounds Like: Kings Of Leon, Travis, Magnet, Phil Wickham, Mikeschair, John Mark McMillan, Eric Vinson, Othniel, Chad Gentry
Rating: 4/5 ♥♥♥♥

It all began in 2004, when Rhett Canipe stood up before a microphone and his life was never the same. Each band member brings their different nuances to their sound, and we can hear it on their first EP, with powerful hymns and amazing melodies that capture you immediately. Produced by Seth Jones (Mikeschair) and influences from Kings Of Leon, Travis, Magnet to Phil Wickham, John Mark McMillan, the Acoustic/Rock seal is intertwined with life, pain, love and everything that contains the mystery of the salvation.

A million voices open “My Bravery”, with the revolutionary cry of our generation: “You’re the one who fought the grave”. The guitar intermediate is superb, and the chorus totally overwhelming. “The Invitation” is enhanced with a pop/rock sound and offers the world to accept Jesus as the only Savior: “This is the invitation / Come and taste, come and see / Come every town and nation / Thirsty souls, come and dream”. With strong influences from Phil Wickham, the sublime “Breathe” is a cry to God for revival. Powerful drums and guitar riffs are combined with Rhett’s deep voice: “We are alive and we are free”. With organs and acoustic guitars, “Vessel” is reminiscent of Travis in the melody, and we can easily hear the voice of God reminding us that we belong to Him: “Can’t you see you belong to me?”. The intimate and delicate “Hold Me Now”, is filled with pianos, sweet melodies and the participation of newcomer Audrey Assad.

Rhett Canipe’s goal is to share his heart. Getting rid of clichés and write what God has put in his heart. “If through the course of our career, we make one person stop in their tracks and feel Christ love. Then everything we have done, will have been worth it”, confesses Rhett.

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Todo empezó en el 2004, cuando Rhett Canipe se paró frente a un micro y su vida nunca más fue la misma. Cada integrante de su banda aporta diferentes matices a su sonido, y podemos oírlo en su primer EP, con poderosos himnos y sorprendentes melodías que te capturan inmediatamente. Producido por Seth Jones (Mikeschair) y con influencias desde Kings Of Leon, Travis, Magnet hasta Phil Wickham, John Mark McMillan, el sello Acoustic/Rock se entremezcla con la vida, el dolor el amor y todo lo que encierra el misterio de la salvación.

Una multitud de voces aperturan “My Bravery”, con el grito revolucionario de nuestra generación: “You’re the one who fought the grave”. El intermedio de guitarra es espléndido, y el coro totalmente arrasador. “The Invitation” se realza con un sonido pop/rock y le ofrece al mundo entero aceptar como único Salvador a Jesús: “This is the invitation / Come and taste, come and see / Come every town and nation / Thirsty souls, come and dream”. Con fuertes influencias de Phil Wickham, la sublime “Breathe” es un clamor a Dios por avivamiento. Potentes tambores y riffs de guitarras, se combinan con la profunda voz de Rhett: “We are alive and we are free”. Con órganos y guitarras acústicas, “Vessel” nos recuerda a Travis en la melodía, y fácilmente podemos oír la voz de Dios recordándonos que nosotros le pertenecemos: “Can’t you see you belong to me?”. La íntima y delicada “Hold Me Now”, se inunda de pianos, dulces melodías y la participación de la debutante Audrey Assad.

La meta de Rhett Canipe es compartir su corazón. Deshacerse de los clichés y escribir lo que Dios ha puesto en su corazón. “Si en el transcurso de nuestra carrera hacemos detenerse a una persona y que pueda sentir el amor de Cristo en nuestras canciones, entonces todo lo que hemos hecho, habrá valido la pena” nos confiesa Rhett.

1 Mar 2010

Francesca Battistelli - My Paper Heart

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Artist: Francesca Battistelli
Album: My Paper Heart
Year: 2008
Label: Fervent Records/Word Records
Website: http://www.francescamusic.com/
Myspace: http://www.myspace.com/francescabattistelli
Twitter: @francesca_music
Buy: iTunes - Amazon - Official Store
Sounds Like: Sara Bareilles, Kelly Clarkson, Rachael Yamagata, Bethany Dillon, Charlotte Martin, Ayiesha Woods, Joy Williams, Sara Groves, Nichole Nordeman
Rating: 5/5 ♥♥♥♥♥

Francesca Battistelli is not part of the pile. She is determined to make a difference with their debut album “My Paper Heart”, a different approach that uses Pop, Jazz, Rock, R&B and even some funk and gospel sounds as ingredients. She is obviously passionate about the composition, and this has led her to receive her first Nominations on Grammy Awards 2009 as Female Vocalist of the Year, New Artist of the Year, Song of the Year and Pop/Contemporary Song of the Year for “I’m Letting Go”. The album was produced by the brilliant Ian Eskelin (Remedy Drive, Stellar Kart, Starfield, Avalon) and shows us the ups and downs of the life of 23 years’ girl, her faith and emotions to find a whole new world with dazed heart.

“Free To Be Me” (second single) immediately makes Francesca’s voice stand out from the guitars, pianos, bass and Hammond organ that set the track. Sounds like Sarah Kelly and Amy Grant in a motivational message that reminds us that everyone makes mistakes, nobody is perfect and that God loves us as we are: “Sometimes I believe that I can do anything / Yet other times I think I’ve got nothing good to bring / But You look at my heart and You tell me / That I’ve got all You seek / And it’s easy to believe / Even though”. Ranked as one of the best songs in Christian music history, the first single “I’m Letting Go” tells us about leaving the past behind and start a new journey with the Lord. Captivates us with an atmosphere with jazz piano arrangements and energetic pop/rock that resemble “Love Song” by Sara Bareilles. The impulsive “Unpredictable” brings the essence of Nichole Nordeman with the incredible purpose of evaluating our identity as Christians: “When I know that I know / What You have down the road / When I’m sure that/ I’ve figured You out / Help me see that I’m small / That I can’t know it all / ‘Cause You’re so unpredictable”. The titletrack has a kind of exotic Jazz/Pop sound based on rhythmic piano that draw us our heart is too delicate and may be stepped on and torn apart in just a few seconds, based on Proverbs 3:3 and the fragility of the human heart:  “My paper heart is Yours now / I have landed in Your hands / Come so far to find out / My life will never be the same / Since you wrote Your name / On my paper heart”. The fourth and latest single “Beautiful, Beautiful” enhances Francesca’s soft and hoarse voice, a wonderful interpretation that somehow resembles Evanescence/Amy Lee. It’s about our quest for hope and encouragement, and that God knows our pain and heals us creating something new, beautiful, in his own image: “Like sunlight burning at midnight / Making my life something so beautiful, beautiful / Mercy reaching to save me / All that I need / You are so beautiful, beautiful”. Then, breaking the mold of the album, “Blue Sky” catch us with organs and rhodes in a charming R&B/Soul/Jazz with Ayiesha Woods & Newworldson Gospel features demonstrating the wide vocal range and versatility that this girl possesses: “When the rain is falling / And there’s no silver lining / And you just can’t seem to find the light / When you need a reason / To help you keep believing / Let my love be your blue sky”. Then, “Forever Love” draws on its implementation and setting ambitious, as orchestrated hymn which plunges us into a romantic composition which declares God’s love forever. Soft piano with an intimate and personal lyric that could easily be sung in a Sunday worship service: “Nothing in this world could ever separate us / I will love You more than anyone on earth / Nothing I desire could ever satisfy me the way that You do”. The next track “Someday Soon” is like the pop Kelly Clarkson offers us, but beats harder in a sincere expression of need and dependence on God: “Yeah I’ll be telling you I love you / On a picture perfect day / And those words inside my head / They sound like angels singing praise / It’s what I was made to say”. The piano at the end of the track deliver a particular magic. Francesca becomes more Adult Contemporary or Casting Crowns with “Behind The Scenes” that tells the truth about our weaknesses, reminding us that all we are equal. No one is perfect, but our strength to overcome our unity comes from each other: “Things aren’t always what they seem / You’re only seeing part of me / There’s more than you could ever know / Behind the scenes / I’m incomplete and I’m undone / But I suppose like everyone / There’s so much more that’s going on  / Behind the scenes”. Similar melodies to Sara Groves and Bethany Dillon. The third single from the album “It’s Your Life” which reminds us that people’s life is about making decisions. Pop/Rock portraying the struggle between good and evil in the human heart, with fresh lyrics that will leave you enthralled: “To live the way that you believe / This is your opportunity / To let your life be one that lights the way”. Finally, “In Between Time” closes the album with a ballad that again takes up the promise of the return of Christ to the world. It is a picture of life and death of Jesus into music that inspires us to spread the gospel and to bless our church: “That brings me to my knees / Knowing you came for me / And all that I can’t be / I’m amazed, so amazed / And I thank You for the time in between”.

This is one of those albums that you will never forget. A powerful voice, a personal message and a elegant piano/pop sound sample that can turn into different genres and ensure the bright future of Francesca Battistelli. She wants people to know that God loves them as they are, and encourages them to leave the world and have a wonderful adventure making a difference for Him. “My Paper Heart” is a dynamic, agile, intelligent, cool and interesting debut that deserves more than a billion applauses.

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Francesca Battistelli no es parte del montón. Ella está decidida a hacer la diferencia con su álbum debut “My Paper Heart”, una propuesta diferente que usa como ingredientes el Pop, Jazz, Rock, R&B e incluso algo de Funk y Gospel. Ella está evidentemente apasionada en la composición, y esto le ha llevado a recibir sus primeras nominaciones a los Grammy Awards 2009 como Vocalista femenina del año, Nueva artista del año, Canción del año y Canción Pop/Contemporánea del año por “I’m Letting Go”. El álbum fue producido por el genial Ian Eskelin (Remedy Drive, Stellar Kart, Starfield, Avalon) y nos muestra los altibajos de la vida de una muchacha de tan solo 23 años, su fe y emociones al encontrarse con un mundo totalmente nuevo y un corazón deslumbrado.

“Free To Be Me” (segundo sencillo) inmediatamente hace que la voz de Francesca destaque sobre las guitarras, los pianos, el bajo y el órgano Hammond que ambientan el track. Suena como Sarah Kelly y Amy Grant en un mensaje motivador que nos recuerda que todo el mundo comete errores, nadie es perfecto y que Dios nos ama tal cual somos: “Sometimes I believe that I can do anything / Yet other times I think I’ve got nothing good to bring / But You look at my heart and You tell me / That I’ve got all You seek / And it’s easy to believe / Even though”. Catalogada como una de las mejores canciones en la historia de la música cristiana, el primer sencillo “I’m Letting Go” nos habla sobre dejar atrás el pasado y emprender un nuevo camino con el Señor. Nos cautiva con una atmósfera con piano de Jazz y enérgicos arreglos Pop/Rock que se asemejan a “Love Song” de Sara Bareilles. La impulsadora “Unpredictable” nos trae la esencia de Nichole Nordeman con el increíble propósito de valorar nuestra identidad como cristianos: “When I know that I know / What You have down the road / When I’m sure that/ I’ve figured You out / Help me see that I’m small / That I can’t know it all / ‘Cause You’re so unpredictable”. El titletrack tiene una especie de exótico sonido Jazz/Pop basado en acompasados pianos que nos dibujan la metáfora que nuestro corazón es demasiado delicado y puede ser pisado y desgarrado en segundos, inspirado en Proverbios 3:3 y en la fragilidad del corazón humano: “My paper heart is Yours now / I have landed in Your hands / Come so far to find out / My life will never be the same / Since you wrote Your name / On my paper heart”. El cuarto y más reciente sencillo “Beautiful, Beautiful” realza la ronca y suave voz de Francesca, en una interpretación maravillosa que de algún modo se asemeja a Evanescence/Amy Lee. Se trata acerca de nuestra búsqueda de esperanza y aliento, y que Dios conoce nuestro dolor y nos sana creando algo nuevo, hermoso, a su propia imagen: “Like sunlight burning at midnight / Making my life something so beautiful, beautiful / Mercy reaching to save me / All that I need / You are so beautiful, beautiful”. Seguidamente, rompiendo el molde del álbum, “Blue Sky” nos hechiza con órganos y rhodes en un encantador R&B/Soul/Jazz con rasgos Gospel de Newworldson y Ayiesha Woods que demuestran el amplio rango vocal y la versatilidad que esta muchacha posee: “When the rain is falling / And there’s no silver lining / And you just can’t seem to find the light / When you need a reason / To help you keep believing / Let my love be your blue sky”. Luego, “Forever Love” atrae por su instrumentación y ambientación ambiciosa, como himno orquestado que nos sumerge en una romántica composición donde se declara estar enamorado de Dios eternamente. Suaves pianos con una lírica íntima y personal que fácilmente podrían ser cantados en un culto de domingo: “Nothing in this world could ever separate us / I will love You more than anyone on earth / Nothing I desire could ever satisfy me the way that You do”. El siguiente track “Someday Soon” se asemeja al pop que Kelly Clarkson nos ofrece, pero palpita con más fuerza en una sincera expresión de necesidad y dependencia de Dios: “Yeah I’ll be telling you I love you / On a picture perfect day / And those words inside my head / They sound like angels singing praise / It’s what I was made to say”. Los pianos al final de la canción le entregan una magia particular. Francesca se vuelve más Adulto Contemporáneo o Casting Crowns con “Behind The Scenes” que dice la verdad acerca de nuestras debilidades, recordándonos que todos somos iguales. No hay nadie perfecto, pero nuestra fuerza para vencer viene de nuestra unidad el uno del otro: “Things aren’t always what they seem / You’re only seeing part of me / There’s more than you could ever know / Behind the scenes / I’m incomplete and I’m undone / But I suppose like everyone / There’s so much more that’s going on  / Behind the scenes”. Similares melodías a Sara Groves o Bethany Dillon. El tercer sencillo del álbum “It’s Your Life” que nos recuerda que la vida de la gente consiste en tomar decisiones. Pop/Rock que retrata la lucha entre el bien y el mal en el corazón del hombre, con frescas líricas que te dejarán cautivado: “To live the way that you believe / This is your opportunity / To let your life be one that lights the way”. Finalmente “Time In Between” cierra el disco con una balada que nuevamente retoma la promesa del retorno de Cristo al mundo. Es una fotografía de la vida y muerte de Jesús hecha música que nos anima esparcir el evangelio y bendecir a nuestra iglesia: “That brings me to my knees / Knowing you came for me / And all that I can’t be / I’m amazed, so amazed / And I thank You for the time in between”.


Este es uno de esos álbumes que nunca podrás olvidar. Una poderosa voz, un mensaje personal y una elegante muestra de sonido Piano/Pop que puede transformarse en diversos géneros y aseguran el futuro brillante de Francesca Battistelli. Ella quiere que la gente sepa que Dios los ama tal y como son, y les anima a salir del mundo y tener una maravillosa aventura haciendo la diferencia por Él. “My Paper Heart” es un disco dinámico, ágil, inteligente, fresco e interesante debut que merece más de un billón de aplausos.

11 Feb 2010

Satellites & Sirens - Satellites & Sirens

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Artist: Satellited & Sirens
Album: Satellited & Sirens
Year: 2010
Label: Word Records
Website: http://www.satellitesandsirens.com/
Myspace: http://www.myspace.com/satellitesandsirens
Twitter: @satsandsirens
Buy: iTunes - Amazon - Official Store

With a sound that emerges from the electro pop, rock and influences from 80’s bands, features from Jimmy Eat World, The New Amsterdams and Owl City, appear the new members of Word Records. Of course we talked about Satellites & Sirens, formed by Geoff Hunker (vocals), Chris Mullins (lead guitar), Brandon Owens (bass and keyboards) and Jonathan Dimmeler (drums), bringing an innovative proposal for the mainstream Christian market through its self-titled debut album ‘Satellites & Sirens’.

“Breaking The Noise” preludes the album with synthesized atmospheres fused with pop/rock similar to Mae. The message of the song is to stop the noise that our degenerate society emits and transform it into hope: “You are breaking the noise / And I start to hear your voice / And I’m left with no other choice / But to love you / I’m hanging on to every little word now”. Synchronously, “Come On” tells about a family destroyed in search of affection and love: “I keep believing that someday someone will love me”, Katy Perry’ synthesizers touches. The first single ”Take Me Back”, asks God for an intervention in our saturated with sin, guilt and darkness lives,: “I know where I’m meant to be / It just took a while for me to see / Now falling down at your feet / And you’re reaching out to rescue me”. We hear a synthesized guitar in the beginning very sticky, piano and perfect guitar riffs. The second and latest single, “The Anchor” bursts with powerful guitars, similarities to Death Cab For Cutie and a chorus with a sweeping melody: “When I feel like I am drifting away / Sinking down, the sands are shifting today / I’m about to loose my way / You anchor me down”. Affirms the value and the need to motivate our faith no matter what adversity may confront. The ingenious “Light the Night” reminds Newsboys, reflecting the light of God’s love in the dark and being that light in our world: “Shine on, soon the night will be gone / Don’t burn out before dawn / Together we can stay strong / Shine bright, reflecting from the sunlight / Only love will ignite / Together we can light the night”. The sequenced drums gives incredible signature to the track and the piano takes the leading role at the instrumental immortalizing bands like Angels & Airwaves. Moreover, “All The Same” is a statement that criticizes idolatry to celebrities in our culture today. “All We Need Is Sound” proclaims our beliefs as Christians, and our duty to be relevant in an oppressed world: “All we need is sound / Hear our voices / Rising from the crowd / We won’t hold back now / Time is Burning out / Won’t be silent”. Strong influences of This Beautiful Republic and Metro Station. Likewise, “Escape” does not hesitate to use electro/rave elements, as And Then There Were None used. With a hybrid environment, dark but hopeful: “Take me to the place by the way where I can escape / Show me faith, before it’s too late”. The roaring “Vaudevillian” has a very dangerous untempo beat occasionally joins with convincing techno/house. It was hoped that the album concludes with a slow theme, however “Hello Don’t Go” breaks that stereotype to betray a fueled rhythm that talks about our need for God.


Satellites & Sirens is one of the most distinguished candidates for this promising 2010 and their debut has filled the expectations of his listeners. The album name was inspired by the fact of listening God’s voice, be quiet to hear what he wants to speak. Hebrews 6:19 explains largely the vision of this promising band. The 80’s have returned with force.

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Con un sonido que emerge del electro pop, rock e influencias de bandas ochenteras, rasgos de Jimmy Eat World, The New Amsterdams y Owl City, surgen los nuevos integrantes de Word Records. Por supuesto hablamos de Satellites & Sirens, conformado por Geoff Hunker (vocalista), Chris Mullins (primera guitarra), Brandon Owens (bajo y sintetizadores) y Jonathan Dimmel (batería), trayéndonos una propuesta innovadora para el convencional mercado cristiano a través de su álbum debut autotitulado ‘Satellites & Sirens’.

“Breaking The Noise” preludia el álbum con atmósferas sintetizadas, fusionadas con pop/rock similar al de Mae. El mensaje de la canción es detener el ruido que nuestra degenerada sociedad emite y transformarla en esperanza: “You are breaking the noise / And I start to hear your voice / And I’m left with no other choice / But to love you /
I’m hanging on to every little word now”. Sincronizadamente, “Come On” nos narra sobre una familia destruida en busca de afecto y amor: “I keep believing that someday someone will love me”, pinceladas de Katy Perry en los sintetizadores. El primer sencillo del álbum “Take Me Back”, le pide a Dios una intervención en nuestras vidas saturadas de pecado, culpa y oscuridad: “I know where I’m meant to be / It just took a while for me to see / Now falling down at your feet / And you’re reaching out to rescue me”. Podemos oír una guitarra sintetizada en el inicio muy pegajoso, pianos y riffs de guitarra perfectos. El segundo y más reciente sencillo del álbum, “The Anchor” irrumpe con potentes guitarras, semejanzas a Death Cab For Cutie y un coro con una melodía arrasadora: “When I feel like I am drifting away / Sinking down, the sands are shifting today / I’m about to loose my way / You anchor me down”. Afirma el valor y la necesidad de motivar nuestra fe sin importar lo que la adversidad pueda confrontarnos. La ingeniosa “Light The Night” recuerda a Newsboys, reflejando la luz del amor de Dios en la oscuridad y el hecho de ser aquella luz en nuestro  mundo: “Shine on, soon the night will be gone / Don’t burn out before dawn / Together we can stay strong / Shine bright, reflecting from the sunlight / Only love will ignite / Together we can light the night”. La secuenciada batería le da una firma increíble al track, y el piano toma el protagonismo en el instrumental inmortalizando a bandas como Angels & Airwaves. Por otro lado, “All The Same” es una declaración que crítica la idolatría a las celebridades de nuestra cultura de hoy. “All We Need Is Sound” proclama nuestras convicciones como cristianos, y nuestro deber al ser relevantes en un mundo oprimido: “All we need is sound / Hear our voices / Rising from the crowd / We won’t hold back now / Time is Burning out / Won’t be silent”. Fuertes influencias de This Beautiful Republic y Metro Station. Del mismo modo “Escape” no duda en emplear elementos electrónicos, cómo los que And Then There Were None utiliza. Con un ambiente híbrido, oscuro pero lleno de esperanza: “Take me to the place by the way where I can escape / Show me faith, before it’s too late”. La rugiente “Vaudevillian” tiene un untempo beat muy peligroso que de vez en cuando se incorpora con convincente techno/house. Era de esperar que el álbum concluyera con un tema lento, sin embargo “Hello Don’t Go” rompe ese estereotipo al traslucir un ritmo impulsador sobre nuestra necesidad de Dios.

Satellites & Sirens es uno de los candidatos más distinguido de este prometedor año 2010, y su debut ha llenado la expectativa de sus oyentes. El nombre del álbum se inspira en el hecho de escuchar la voz de Dios, hacer silencio para oír lo que quiere hablarnos. Hebreos 6:19 explica ampliamente la visión de esta prometedora banda. Los 80’s han regresado con fuerza.

Israel Risco
Rating-Calificación: 4/5 ♥♥♥♥

8 Feb 2010

Living Anthem - How Beautiful The Cross (Single)

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Artist: Living Anthem
Album: How Beautiful The Cross - Single
Year: 2010
Label: 2:20 Entertainment Group
Website: http://www.myspace.com/livinganthem
Buy: iTunes - Amazon

As mentioned earlier, “How Beautiful The Cross” is the first single from Living Anthem’s next project. The song shows a remarkable musical maturity of the band, without losing the wonderful traits in his lyrics. We can hear influences from Angels & Airwaves, David Crowder Band, Goo Goo Dolls, plus booming guitars, pianos, catchy melodies, and phrases like: “How beautiful the cross, where you took my place / A ransom for the lost my past erased / Now I have been redeemed and I can truly see you are love / You are love Jesus”.

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Como mencioné antes, “How Beautiful The Cross” es el primer sencillo del próximo proyecto de Living Anthem. La canción demuestra una notable madurez musical de parte de la banda, sin perder la maravillosa esencia en su lírica. Podemos oír influencias de Angels & Airwaves, David Crowder Band, Goo Goo Dolls, además de pujantes guitarras, pianos, melodías pegajosas, y frases como: “How beautiful the cross, where you took my place / A ransom for the lost my past erased  /  Now I have been redeemed and I can truly see you are love / Jesus you are love”.

Israel Risco
Rating-Calificación: 5/5 ♥♥♥♥♥