Demon Hunter - The World Is A Thorn
Artist: Demon Hunter
Album: The World Is A Thorn
Year: 2010
Label: Solid State Records
Website: http://www.demonhunter.net/main.php
Myspace: http://www.myspace.com/demonhunter
Twitter: @demonhunterband
Buy: iTunes - Amazon - Official Store
Sounds Like: All That Remains, Trivium, Chimaira, The Ascendicate, Soilwork, Duran Duran, August Burns Red, Job For A Cowboy, Miseration, Throwdown, Living Sacrifice, Soul Embraced, Mushroomhead, The Showdown, Lamb Of Gods, Sepultura, The More Things Change, Machine Head, Pantera, Slayer
Rating: 5/5 ♥♥♥♥♥
The sound of Jesus leading his flock to a musical path that was built on the foundation of hedonism and power. Demon Hunter is well defined as their fifth album “The World Is A Thorn” merging its aggressive metalcore and nu-metal with catchy melodic pop. Produced by veteran Aaron Sprinkle (Fair, Acceptance, Anberlin, The Almost) and mixed by Jason Suecof (All That Remains, Chimaira, August Burns Red, Trivium), vocalist Ryan Clark explains: “The album title refers to often detrimental and destructive world in which we live. Most songs are about the current state of the nation and the world itself. In particular, the lyrics point to the ideals of a nation without God and the depletion of our morals and values”.
A harmonic guitar preludes by the new member Ryan Helm takes off “Descending Upon Us” with a chaotic and aggressive cry that denounces idolatry: “Save your plea for the day that we suffer the wake of this treason / Rain like fire descending upon us in holy resolve, upon this ground”. Synchronously, “Lifewar” adds a tremendous blunder to the disc, with too parametric drums bursts of screams that make you remember the mediocre nu-metal time of 2000’s and bands like American Head Charge. Fortunately, the track does not last long and opens up the album’s first single “Collapsing” which has the appearance of Björn “Speed” Strid of Soilwork in a lyric that offers hope to anyone struggling with the death (1 John 2:10), also starring a delightful guitar solo, an introduction of synthesizers that passed during the rest of the song: “I see the weight of hollow death residing in you / Take now your final breath, exhale the truth / I see the fear of nothing left, dead fragments of youth / You hold it in yourself, I feel it too”. Continuing the theme of spiritual warfare, “This Is The Line” draws us the metaphor to be strong in our faith and to prevail against the powers that threaten God’s standpoint and our viewpoint towards our relation to the world (Isaiah 30:17). Drizzle of hardcore and black metal with a dark tone yells the following lines: “This is a battle. We Are The Blade / And this is the line, this is the line / All that they build we will break. This is the line”. Delivering some balance to the disc, through orchestral violins and one of Clark’s best performance, we find “Driving Nails” a passionate ballad about restored hope of our sinful nature (Romans 7:25): “It’s driving nails into my soul and angels from my door / Driving nails into my soul. Something else inside”. The titletrack “The World Is A Thorn” is about the things we are not, and those that we refuse to be, because our faith is lay in Christ alone (1 Chronicles 16:25-26), with Yogi Watts’s brutal drums and Clark’s disturbed grunts: “Won’t bow to man. Won’t bow to government / Won’t trust in a failed system of self-fulfilling lust / Won’t love a world where my God is mocked. I defy”. The desperate and distraught “Tie This Around Your Neck” compares the false promises of the world with a rope tied on our necks by the world and its pleasures (Psalm 107:42), with traces of Sepultura, The More Things Change, Machine Head and sparkling melodies: “Save your breath, my son, just carry on home / Time will prey on you, and take you through hell”. Encouraging us to proceed even though the suffering continues driving us down (Psalm 10:17), “Just Breathe” features the participation of Christian Älvestam of Miseration (ex-Scar Symmetry) and some synths that complement the versatility and talent of this duet. Provocateurs metal drums in “Shallow Weater” sleepwalking defy those prone to God’s call to recognize that they will reap all the seeds we have sown (Matthew 7:26). The sacrifices we make as Christians are not seen as oppression but as a means to make our life more fruitful and useful. Dave Peters of Throwdown joins “As Thought You Could Feel” that describes the self-lie as a road to perdition (John 2:21). Some prefer an aggressive denouement, others as in my case, opted for songs like “Blood In The Tears” with Driving Nails influences, reflecting our occasional longing for a physical sign of the existence of God and His will in our lives. Also ask God that the tears of their enemies become drops of blood, to produce an attitude of reverence in those who haven’t believed and that these tears are used as a path through Christ (2 Chronicles 32:24). On the other hand we find the first bonus track, “Desire The Pain” with spiritual and controversial metaphors about divorce “I desire the pain. I desire the weight / And I will face my grave / I desire remorse. I desire release / And I will chase this away”. Finally the String Mix of “Driving Nails” consolidates this hymn in an epic and successful way.
One of the most representative bands of Solid State Records and the Christian metal market has surprised us this year with hints that we might never expect. “The World Is A Thorn” is clearly a progression of the new sound of the band, their evolution and the perfect test that they remain being the highest pillars of the genre.
El sonido de Jesús conduciendo a su rebaño por un camino musical que fue construido sobre los cimientos del hedonismo y el poder. Es así como Demon Hunter define su quinto álbum “The World Is A Thorn”, fusionando su agresivo metalcore y nu-metal con pegajoso pop melódico. Producido por el veterano Aaron Sprinkle (Fair, Acceptance, Anberlin, The Almost) y mezclado por Jason Suecof (All That Remains, Chimaira, August Burns Red, Trivium), el vocalista Ryan Clark nos explica: “El título del álbum se refiere al a menudo perjudicial y destructivo mundo en que vivimos. La mayoría de las canciones tratan sobre el estado actual de la nación y del mundo en sí. En particular, las letras apuntan a los ideales de un pueblo sin Dios y el agotamiento de nuestra moral y valores”.
Un preludio de guitarras harmónicas a cargo del nuevo integrante Ryan Helm se despega con “Descending Upon Us”, con un caótico y agresivo grito que denuncia la idolatría: “Save your plea for the day that we suffer the wake of this treason / Rain like fire descending upon us in holy resolve, upon this ground”. Sincronizadamente, “Lifewar” agrega un tremendo desacierto al disco, con tambores demasiado paramétricos, ráfagas de gritos que te hacen recordar la mediocre época del nu-metal por el año 2000 y bandas como American Head Charge. Por suerte, el track no dura mucho y abre paso al primer sencillo del álbum “Collapsing” que cuenta con la aparición de Björn “Speed” Strid de Soilwork en una lírica que ofrece esperanza a alguien que lucha con la muerte (1ª de Juan 2:10), además protagonizando un deleitoso solo de guitarra, una introducción de sintetizadores que repercutan durante el resto de la canción: “I see the weight of hollow death residing in you / Take now your final breath, exhale the truth / I see the fear of nothing left, dead fragments of youth / You hold it in yourself, I feel it too”. Continuando con la temática de guerra espiritual, “This Is The Line” nos dibuja la metáfora de ser fuertes en nuestra fe y prevalecer ante los poderes que ponen en peligro el punto de vista de Dios y el nuestro con respecto al mundo (Isaías 30:17). Garúas de hardcore y black metal que con un tono oscuro nos grita las siguientes líneas: “This is a battle. We Are The Blade / And this is the line, this is the line / All that they build we will break. This is the line”. Entregando algo de equilibrio al disco, mediante orquestales violines y uno de las mejores performance de Clark, nos encontramos con “Driving Nails” una apasionad balada sobre la esperanza restauradora de nuestra naturaleza pecaminosa (Romanos 7:25): “It’s driving nails into my soul and angels from my door / Driving nails into my soul. Something else inside”. El titletrack “The World Is A Thorn” se trata de las cosas que no somos, y aquellas que nos rehusamos a ser, ya que nuestra fe descansa solamente en Cristo (1ª Crónicas 16:25-26), con los brutales tambores de Yogi Watts y los perturbados gruñidos de Clark: “Won’t bow to man. Won’t bow to government / Won’t trust in a failed system of self-fulfilling lust / Won’t love a world where my God is mocked. I defy”. La desesperada y angustiada “Tie This Around Your Neck” compara las falsas promesas del mundo con una soga atada a nuestros cuellos por el mundo y sus placeres (Salmos 107:42), con rasgos de Sepultura, The More Things Change, Machine Head y chispeantes melodías: “Save your breath, my son, just carry on home / Time will prey on you, and take you through hell”. Alentándonos a seguir adelante aunque el sufrimiento nos siga abatiendo (Salmos 10:17), “Just Breathe” cuenta con la participación de Christian Älvestam de Miseration (ex-Scar Symmetry) y de algunos sintetizadores que se complementan con la versatilidad y talento de este dueto. Los provocadores tambores metal en “Shallow Weater”, desafían aquellos propensos sonámbulos al llamado de Dios reconociendo que ellos cosecharán todas las semillas que hemos sembrado (Mateo 7:26). Los sacrificios que hacemos como cristianos nos son vistos como opresión, sino como un medio para que nuestra vida sea más fructífera y útil. Dave Peters de Throwdown se suma a “Feel As Throught You Could” que describe el engañarnos a nosotros mismos como un camino a la perdición (Juan 2:21). Algunos prefieres un desenlace agresivo, otros como en mi caso, optamos por canciones como “Blood In The Tears” con influencias de Driving Nails, que refleja nuestro esporádico anhelo por una señal física sobre la existencia de Dios y de su voluntad en nuestras vidas. Además le pide a Dios que las lágrimas de sus enemigos se conviertan en gotas de sangre, para producir una actitud reverente en aquellos que no han creído y que estas lágrimas sean utilizadas como un sendero hacia Cristo (2ª Crónicas 32:24). Por otro lado nos encontramos con el primer bonus track, “Desire The Pain” con metáforas espirituales y controversiales sobre el divorcio “I desire the pain. I desire the weight / And I will face my grave / I desire remorse. I desire release / And I will chase this away”. Por último la versión en violines de “Driving Nails (String Mix)” consolida este himno de una manera épica y acertada.
Una de las bandas más representativas de Solid State Records y del metal cristiano, nos ha sorprendido este año con matices que tal vez nunca esperábamos. “The World Is A Thorn” claramente es una progresión del nuevo sonido de la banda, su evolución y la prueba perfecta de que continúan siendo los supremos pilares del género.
23 Feb 2010Comments
Skillet - Awake
Artist: Skillet
Album: Awake
Year: 2009
Label: Atlantic Recording/INO Records/Lava
Website: http://www.skillet.com/
Myspace: http://www.myspace.com/skilletmusic
Twitter: @skilletmusic
Buy: iTunes - Amazon - Official Store
Sounds Like: Red, Pillar, Daughtry, 3 Doors Down, Staind, Evanescence, Linkin Park, Three Days Grace, Breaking Benjamin, Finger 11, Kutless, Nickelback
Rating: 4/5 ♥♥♥♥
Skillet already has nearly 14 years in the music scene, with over 9 successful singles in a remarkable career that continues with the release of “Awake”. The hard rock of this band is unmatched, and thanks to the success that “Comatose” caused them, this new album became a phenomenon in 2009 and of course still continues with this effect in the early 2010. “Awake” is the first experience with Howard Benson, producer known for his work with Daughtry, My Chemical Romance, The All American Rejects, POD, Mae, and so on.
Since the opening of the disc, and since the voice introduction of Jen Ledger (drummer/ female vocals) in their songs, the concept of each track is more interesting. “Hero” is the first single from the album, which features a large-scale electric guitar interlaced with the voice of Jon Cooper showing the desperate need of a hero in our world, a hero who fights injustice and the oppression of our days, a hero like Christ: “Who’s gonna fight for what’s right? / Who’s gonna help us survive? / We’re in the fight of our lives / And we’re not ready to die / Who’s gonna fight for the weak? / Who’s gonna make ‘em believe? / I’ve got a hero living in me / I’m gonna fight for what’s right / Today I’m speaking my mind / And if it kills me tonight / I will be ready to die”. The second single “Monster”, compares the monster within us to sin that invades us, showing the dark side we need to get out. With powerful guitars, a brilliant vocal performance, melodies similarities to Linkin Park and an angry growl that distorts man’s internal struggle between good and evil: “I feel it deep within / It’s just beneath the skin / I hate what I’ve become / The nightmare’s just begun / I must confess that I feel like a monster”. The nuances of unrequited love are reflected in “Don’t Wake Me”, an acoustic ballad with 80’s features. These are the people who lost something, who broke up with someone or who lost someone, and those feelings that give you the impression of being in a dream. “These dreams of you keep on growing stronger / It ain’t a lot but it’s all I have / Nothing to do but keep sleeping longer / Don’t wanna stop cause I want you back”. Soon we arrived at “Awake And Alive”, which leans towards bands like Evanescence or Red, using strident violins at the beginning that recalls the sound of “Comatose” and adds a wild guitar instrumental by Ben Kasica. Sometimes we feel that the world around us try to avert our hope by negative influences, but this song encourages you to live what you believe and not be afraid to defend your faith: “I’m awake I’m alive / Now I know what I believe inside / Now it’s my time / I’ll do what I want ‘cause this is my life / Here, right now I’ll stand my ground and never back down / I know what I believe inside / I’m awake and I’m alive”. The inspirational “One Day Too Late” talks about the decisions we should have taken yesterday, with an introspective message that makes you thinking about the meaning of life. This is to value each second, because tomorrow may be too late: “Your time is running out / You’re never gonna get it back / Make the most of every moment / Stop saving the best for last”. The distorted guitars on “It’s Not Me, It’s You” try to get rid of negative influences in our lives: “Let’s get the story straight / You were a poison / Flooding through my veins / Driving me insane / And now you’re gone away / I’m no longer choking / From the pain you put me through / And now I know that it’s not me it’s you”. We continued with “Should’ve When You Could’ve”, which touches the theme of a breakup from the perspective of a girl. With contagious melodic lines in the chorus, like “Those Nights” and Daughtry songs: “You should’ve when you could’ve / You’re gonna miss my love girl / You should, it would’ve been so good / You should’ve when I would’ve / Now I know I’ve had enough / Better luck next time girl / You should, it would’ve been so good”. Likewise, “Believe” continues the record of a classic rock ballad, with similarities to Incubus, Staind, 3 Doors Down and Seether and sometimes Flyleaf. With an excellent guitar instrumental with 80’s metal features, and an explosive lyrical addressed to each person who had a consistent loving relationship, but in a moment of stupidity, they ruined everything: “If you believed when I said / I’d be better off without you / Then you never really knew me at all / That I wouldn’t be thinking about you / You thought you knew the truth but you’re wrong / You’re all that I need / Just tell me that you still believe”. The song with more Christian context is “Forgiven”, spreading hope, redemption and God ‘s forgiveness through a splendid piano symphony and violins: redención y el perdón de Dios, a través de pianos y una espléndida sinfonía de violines: “Now I’m in our secret place / Alone in your embrace / Where all my wrongs have been erased / All the promises and lies / All the times I compromise / All the times you were denied / You have forgiven”. Next, “Sometimes” brings the darker atmosphere of the album, which is facing dark and sinful areas of our soul, often beating out in this spiritual warfare. Great job on the shrill guitar, showing human nature at its best: “Sometimes I can’t hide the demons that I face / Sometimes don’t deny / I’m sometimes sinner, sometimes saint”. The inspiration behind “Never Surrender” comes from a conversation with a fan of the band about her eating disorder. Many times you do not like who you are, and you wish that someone is crying beside you and encourage you to not surrender, that’s when God appears through a friend or family member: “I don’t wanna feel like this tomorrow / I don’t wanna live like this today / Make me feel better / I wanna feel better / Stay with me here / And never surrender”. The album closes with “Lucy”, a song addressed to a girl named Lucy who passed away, as Cooper demonstrates that both nostalgia moments spent together. A song of regret that you want to turn back the clock and do things differently, but that gives hope to change your life with the help of God, who gives you a second opportunity for you to remember to live and love without regret. The pianos and violins whisper: “Here we are, now you’re in my arms / Here we are for a brand new start / Got to live with the choices I’ve made / And I can’t live with myself today”.
As the first bonus track “Dead Inside”, which talks about a faith full of life and passion, with catchy guitar riffs and a despair lyrical: “I can’t escape this love / I want it the way it was / You remind me of a time / When I felt alive”. The second and more interesting bonus track is “Would It Matter”, which focuses on the thoughts about whether what you do is worthwhile, or if you really care: ““If I live tomorrow / Would anybody care / Stuck in this sorrow / Going nowhere”. These last two tracks plus alternate version of “Monster” (edited by removing the chilling scream in the bridge), make it worth buying the Deluxe Edition.
Some say that “Awake” has failed to overtake its predecessor “Comatose”. At first taste, I also shared the same opinion, however after a dawn listening, I’ve been addicted to this progression and mixed of feelings, sounds and energy captured in a wonderful album. This is how Cooper’s phenomenal vocal maturity coupled with powerful rock ecstatic with a powerful message that is injected into your veins and cause a material change, the old school classic rock is back with “Awake” with monstrous and daring songs who become immortal hymns of this new decade.
Skillet ya tiene casi 14 años en la escena musical, con más de 9 exitosos sencillos en una admirable carrera que continúa con el lanzamiento de “Awake”. El hard rock de esta banda es incomparable, y gracias al éxito que “Comatose” les provocó, este nuevo álbum se convierte en todo un fenómeno para el 2009 y por supuesto aún sigue haciendo efecto en este 2010. “Awake” es la primera experiencia con Howard Benson, productor reconocido por su trabajo con Daughtry, My Chemical Romance, The All American Rejects, P.O.D., Mae, etc.
Desde la apertura del disco, y desde que se introdujo la voz de Jen Ledger (baterista/voz femenina) en sus canciones, el concepto de cada track es mucho más interesante. “Hero” es el primer sencillo del álbum, que cuenta con una guitarra eléctrica de gran magnitud entrelazada con la voz de Jon Cooper al mostrar la desesperada necesidad de un héroe en nuestro mundo, un héroe que luche con la injusticia y la opresión de nuestros días, un héroe como Cristo: “Who’s gonna fight for what’s right? / Who’s gonna help us survive? / We’re in the fight of our lives / And we’re not ready to die / Who’s gonna fight for the weak? / Who’s gonna make ‘em believe? / I’ve got a hero living in me / I’m gonna fight for what’s right / Today I’m speaking my mind / And if it kills me tonight / I will be ready to die”. El segundo sencillo “Monster”, compara al monstruo dentro de nosotros con el pecado que nos invade, mostrando el lado oscuro del que necesitamos salir. Con potentes guitarras, una brillante performance vocal, semejanzas melódicas a Linkin Park y aquel iracundo gruñido en el intermedio que distorsiona la lucha interna del hombre entre el bien y el mal: “I feel it deep within / It’s just beneath the skin / I hate what I’ve become / The nightmare’s just begun / I must confess that I feel like a monster”. Los matices de un amor no correspondido se ven reflejados en “Don’t Wake Me”, una balada acústica con rasgos ochenteros. Se trata de aquella persona que perdiste, que rompió contigo o que murió, y de aquellos sentimientos que te dan la impresión de estar en un sueño. “These dreams of you keep on growing stronger / It ain’t a lot but it’s all I have / Nothing to do but keep sleeping longer / Don’t wanna stop cause I want you back”. Rápidamente llegamos hasta “Awake And Alive”, que se inclina hacia bandas como Red o Evanescence, empleando estridentes violines al inicio que recuerda el sonido de “Comatose”, y le agrega un salvaje instrumental de guitarra a cargo de Ben Kasica. A veces sentimos que el mundo que nos rodea intenta alejar nuestra esperanza, mediante influencias negativas, sin embargo esta canción te anima a vivir lo que crees y no tener miedo a defender tu fe: “I’m awake I’m alive / Now I know what I believe inside / Now it’s my time / I’ll do what I want ‘cause this is my life / Here, right now I’ll stand my ground and never back down / I know what I believe inside / I’m awake and I’m alive”. La inspiradora “One Day Too Late” habla sobre las decisiones que debimos haber tomado ayer, con un mensaje introspectivo que te hace pensar sobre el significado de la vida. Se trata de valorar cada segundo, porque mañana podría ser demasiado tarde: “Your time is running out / You’re never gonna get it back / Make the most of every moment / Stop saving the best for last”. Las distorsionadas guitarras en “It’s Not Me, It’s You” intentan deshacerse de las influencias negativas en nuestras vidas: “Let’s get the story straight / You were a poison / Flooding through my veins / Driving me insane / And now you’re gone away / I’m no longer choking / From the pain you put me through / And now I know that it’s not me it’s you”. Continuamos con “Should’ve When You Could’ve”, que toca el tema de una ruptura amorosa desde la perspectiva de una chica. Con contagiosas líneas melódicas en el coro, similares a “Those Nights” y a Daughtry: “You should’ve when you could’ve / You’re gonna miss my love girl / You should, it would’ve been so good / You should’ve when I would’ve / Now I know I’ve had enough / Better luck next time girl / You should, it would’ve been so good”. Del mismo modo “Believe” prosigue con el registro clásico de una balada rock, con semejanzas a Incubus, Staind, 3 Doors Down y por momentos a Seether y Flyleaf. Con un excelente instrumental de guitarra con rasgos de metal ochentero, y una lírica explosiva dirigida a cada persona que tuvo una relación amoroso consistente, pero que en un momento de estupidez echó todo a perder: “If you believed when I said / I’d be better off without you / Then you never really knew me at all / That I wouldn’t be thinking about you / You thought you knew the truth but you’re wrong / You’re all that I need / Just tell me that you still believe”. La canción con mayor contexto cristiano es “Forgiven”, esparciendo esperanza, redención y el perdón de Dios, a través de pianos y una espléndida sinfonía de violines: “Now I’m in our secret place / Alone in your embrace / Where all my wrongs have been erased / All the promises and lies / All the times I compromise / All the times you were denied / You have forgiven”. Seguidamente, “Sometimes” nos trae la atmósfera más oscura del álbum, que se enfrenta a las áreas oscuras y pecaminosas de nuestra alma, que muchas veces salen venciendo en esta guerra espiritual. Excelente trabajo en la chillante guitarra, que muestra nuestra naturaleza humana en todo su esplendor: “Sometimes I can’t hide the demons that I face / Sometimes don’t deny / I’m sometimes sinner, sometimes saint”. La inspiración detrás de “Never Surrender” viene de la conversación con un admirador de la banda acerca de su desorden alimenticio. Muchas veces no te gusta quién eres, y lloras deseando que alguien esté a tu lado y te anime a no rendirte; es ahí cuando aparece Dios mediante un amigo o un familiar: “I don’t wanna feel like this tomorrow / I don’t wanna live like this today / Make me feel better / I wanna feel better / Stay with me here / And never surrender”. El álbum se cierra con “Lucy”, una canción dirigida a una chica llamada Lucy que falleció, y como Cooper demuestra con nostalgia momentos que ambos pasaron juntos. Una canción de arrepentimiento que desea retroceder el tiempo y hacer las cosas diferentes, pero que entrega la esperanza de cambiar tu vida con la ayuda de Dios, aquel que te entrega una segunda oportunidad para que recuerdes vivir y amar sin arrepentimientos. Los pianos y violines susurran: “Here we are, now you’re in my arms / Here we are for a brand new start / Got to live with the choices I’ve made / And I can’t live with myself today”.
Como primer bonus track tenemos a “Dead Inside”, que habla sobre una fe llena de vida y pasión, con riffs de guitarras pegajosos y una lírica desesperada: “I can’t escape this love / I want it the way it was / You remind me of a time / When I felt alive”. Y el segundo y más interesante bonus track es “Would It Matter”, que trata sobre los pensamientos acerca de saber si lo que haces vale la pena, o si realmente te importa: “If I live tomorrow / Would anybody care / Stuck in this sorrow / Going nowhere”. Estos dos últimos tracks más la versión alterna de “Monster” (editado quitando el estremecedor grito en el puente), hacen que valga la pena la compra del Deluxe Edition.
Algunos dicen que “Awake” no ha logrado superar a su antecesor “Comatose”. En un principio también compartía la misma opinión, sin embargo luego de una amanecida escuchándolo, me he quedado adicto a esta progresión y mezcla de sentimientos, sonidos y energía plasmados en un maravilloso álbum. Es así como la fenomenal madurez vocal de Cooper enganchado con el poderoso rock extasiado de un poderoso mensaje que se inyecta en tus venas y causa un cambio relevante, la escuela vieja del rock clásico regresa de la mano de “Awake” con monstruosas y atrevidas canciones que se convierten en himnos inmortales de esta nueva década.